Do I Need a Star?

Do I Need a Star?

The Need for Stars?    “Be so good they can’t ignore you.” – Steve Martin   Writing a play and then staying the course to see it produced is a daunting task. It requires tremendous focus and 100% dedication to each step in the developmental process.  Once...

Make Submissions Easy

Make Submissions Easy

‘Tis the (Submission) Season   Ah, the coolness of the air, the crisp sound of the leaves rustling underfoot. It’s the time of non-profit galas galore and Christmas party networking. For playwrights and librettists, it’s also the season of submissions. I’m sorry...

5 Top Takeaways from the “How to Write a Musical” Workshop

5 Top Takeaways from the “How to Write a Musical” Workshop

The World & The Want   Yesterday I taught my favorite workshop, the “How to Write a Musical That Works” Workshop through Theater Resources Unlimited (TRU) in NYC. Along with the Executive Director Bob Ost and a stellar panel composed of Dramaturg/Producer Ken...

Pitching Your Show to Producers: The Elevator Pitch

Pitching Your Show to Producers: The Elevator Pitch

Pitching Your Show to Producers   Learning to pitch your show to potential producers is a skill set that can be developed like any other skill set. The secret is in learning to see your show from the producer’s perspective. Recently I was the pitching coach for eight...

Breaking Up With Aristotle: Alternate Plot Structures

Breaking Up With Aristotle: Alternate Plot Structures

To Aristotle With Love: We’re Done   So many contemporary playwrights claim to have “broken up” with Aristotle.   As in, “Ari, we love you and all, but you’re so old school. We’re done.”   The energy of the “action plot,” where a protagonist has a goal...

Story vs. Plot

Story vs. Plot

Where in the Story Does Your Plot Start?   A discussion about the difference between plot vs. story is anything but an academic question. Instead, like most talks about structure, how a plot is designed defines how the audience experiences the story. An early...

Writing Active Dialogue

Writing Active Dialogue

Let's Get Some Action Going   Have you ever been reading a script when the action suddenly felt clunky, heavy-handed or, even worse, stopped mid-scene? Probably it was the result of poor dialogue. Like everything else on stage, dialogue must push the story...

Top 5 Reasons to Put a Dramaturg on the Creative Team

Top 5 Reasons to Put a Dramaturg on the Creative Team

What if I told you there was a way to jumpstart your NPD process at a fraction of the cost of a staged reading? There is a way – a standard protocol that’s used by almost every serious producer and significant regional theater out there, including NYMF, Disney...

How to Get to Broadway in 3 [Not So Easy] Steps

How to Get to Broadway in 3 [Not So Easy] Steps

Still Flying After the TONYs?   How many of you are still flying high after the 2019 TONY Awards ceremony? The encouragement to all performers to continue the work, to celebrate our diversity, and the overall pure celebration of this art form in general and our...